With musical skills that would easily fit into many rock bands, Duncan Oakley performs an infectious mix of musical comedy and stand up with one of his trusty guitars – Maurice (Fender Strat), No.7 (acoustic) or his Les Paul (the Lezza) by his side.
With an eye and ear for the silly, rude, playful and downright irritating occurrences of life, Duncan musters up songs that not only make you laugh, they bury into the recesses of your mind and find you a humming tune with a smile on your face 3 days later, confused and wondering where itâs come from.
Welcome to the world of Duncan Oakley.
Heâs performed in several countries. In Australia he has headlined the Sydney Comedy Store and appeared at clubs in Melbourne and Brisbane. He has also played in Singapore, Hong Kong, Dubai, Abu Dhabi and Doha.
His solo shows at the Edinburgh Fringe combined stand-up and character comedy and were a smash hit. The first was described as âa fantastic solo Fringe debutâ by The List. The follow-up was reviewed as âA wonderful pieceâ and included guest interviews with Ross Noble, Adam Bloom, Adam Hills and many others.
His subsequent showâ 24-Hour Latte Peopleâ featured in the Manchester Comedy Festival and writing was described as having âshades of Alan Bennettâ by the BBC which is a huge compliment.
âImaginative and witty he has the audiences eating out of his handsâ â Funhouse Comedy
Eschewing the well trodden terrain of the one-liner witticism, Mr Brownâs penchant is for 4, 5, 6 and 7-liners drenched in evocative imagery and laced with comedic red herrings. And not the merest hint of profanity.
He constantly engages the assembled throng with a cryogenic stare whilst slowly and very gently caressing the microphone stand with well manicured talons.
To be quite so casually tactile with an inanimate object in full public view takes a certain confidence, especially whilst punctuating his bizarre and often hilariously misanthropic anecdotes with measured pauses that you could reverse a Heavy Goods Vehicle through.
The overall effect is both perversely hypnotic and wholly original, leaving the audience zealously hanging on to every syllable like turncoat lemmings on a rockface.
âA truly unique performerâŚsuperbâ – Reece Shearsmith (âThe League Of Gentlemenâ)
âJarvis Cocker with a death in the familyâ – Metro
âHe made me laugh immediately. I was crying with laughterâ – Doon Mackichan (âSmack The Ponyâ)
âThe audience probably have time to nip to the bar and back between the feedline and the punch. That they generally donât is testament to just how well it works in Brownâs hands, for few would want to miss the next gem to ooze languidly from his lipsâ – Chortle
âA strange, lizard-like creature and polished surrealist⌠Wonderfulâ – City Life
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